Garth Stein is the author of The Art of Racing in the Rain and How Evan Broke His Head and Other Secrets .
I have no cultural or historical reason to be interested in Rin Tin Tin: I was not born in the 1920's when Rinty was a silent film star; I was not swept up in the dog obedience training craze of the 50's; as a child, I was warned that German shepherds were a mean and violent sort and I should stay away from them; while I spent a lot of time watching television when I was a kid in the 60's (most of it on a black &;amp white Zenith with rabbit ears and a knob you would use to change the channel--remember knobs?), I am still non-plused by the fact that I never--not even once--saw an episode of the Rin Tin Tin television show. Why then did I find this book utterly engaging?
I remember my Calculus teacher raising a question in class one day many years ago: is math something that is created, or is it discovered? As a teenager, I found the question quite provocative. And I couldn't help but ponder the question again--though in a different context--as I read the absolutely fascinating history of Rin Tin Tin, as told by Susan Orlean. Is a hero, an icon, a star, a cultural phenomenon created, or discovered?
Surely, Lee Duncan "found" the first Rin Tin Tin. And he set about training his dog, and he made the rounds in Hollywood with Rinty, knocking on doors, looking to be discovered. But he did so with such determination, one wonders if it were the idea of Rin Tin Tin or the dog, himself, that inspired Duncan. In other words, was the concept of Rin Tin Tin bigger than the dog from the very beginning?
As the story of Rinty unfolds, we realize that his history is a clear reflection of the history of film in the 20th Century, as well as the history of popular culture during the same period. From the beginnings of the moving picture, silent films, talkies, the advent of color, and then the innovation called television, Rinty was reimagined to adapt to the changing media, and continued to find his way into the hearts of Americans.
What I find most interesting is that Rin Tin Tin's biggest champions, Lee Duncan and Bert Leonard, pursued the Rin Dynasty (there were many, many generations of Rin Tin Tins), at great personal cost. And while they got paid, to be sure, their compensation was never commensurate with their efforts. Rather, they both felt a greater duty to disseminate the message of Rin Tin Tin; personal gain was a secondary consideration. They felt that what they were doing was a service to society. That the story of Rin, and, then again, the stories Rin told, were life-affirming, healing, and inspiring, and that is what a damaged world needed.
Though Lee Duncan proclaimed Rin Tin Tin to be immortal, his downfall did come, and with it, the downfall of Duncan, and later of Leonard and others who tried to keep the dynasty alive. Did we, as a society, simply outgrow Rin Tin Tin? Was he undone by computer graphics technology, short attention spans, loss of ability to suspend disbelief, and a skeptical inability to anthropomorphize? Or did we simply heal the wounds inflicted by world wars and atrocities of the last century? Did Rin Tin Tin, who was found on the battlefield in World War I, come to the aid of an ailing society, and, having provided solace to the people, simply serve his purpose and move on? One can argue either point, but I like to think the latter is more fitting. And I like to think that the love and devotion of a dog named Rin Tin Tin helped us greatly in our healing.
There were many Rin Tin Tins, and sometimes dogs who weren't even Rintys played Rinty on television and in the movies. Because Rin Tin Tin, the hero, is larger than any one dog.
Was the hero discovered or was he invented? I think a little of both. For certainly it was good fortune that Lee Duncan stumbled upon the dog, Rin Tin Tin, in France. But it was hard work, clever marketing, and sensitivity and understanding of the larger issues with which our society struggled that made the dog a hero. Having the key to the door is not enough; one must know to unlock the door and step through.
Rin Tin Tin is a wonderful, compelling book that will have you thinking long after you've set it down. Susan Orlean has created a fascinating history of a dog, yes, but she has also opened a discussion of many larger issues, which are highly relevant and provocative. This is a truly terrific book! --Garth Stein
Nearly ten years in the making and perfect for the holidays, Susan Orleans first original book since the celebrated bestseller The Orchid Thief is the publishing event of the season: a sweeping, surprising, and powerfully moving work of narrative nonfiction about the dog actor and international icon, Rin Tin Tin.
German shepherd Rin Tin Tins journey is the story of the twentieth century. From the discovery of Rin Tin Tin on a WWI battlefield in 1918, to the movies, radio programs, and the 1950s television show that would cement his legacy around the world, Rin Tin Tin traces the extraordinary history of the dog and his descendants over more than ninety years. Rin Tin Tin was a star (he received 10,000 fan letters a week); a worldwide sensation; a social figure (as the U.S. Armys WWII mascot, he inspired thousands of Americans to donate their dogs for use in the war); and a baby-boom touchstone. He was also a real dog, and the book tells the epic love story between Rin Tin Tin and the remarkable people who devoted their lives to him and his legacy.
Rin Tin Tin is also Orleans meditation on the nature of heroism, loyalty, and memory, and how Rin Tin Tin has lasted for so many generations. Rin Tin Tin could leap twelve feet, she writes, and he could leap through time.
Like no one else, Orlean crafts brilliantly engaging, witty, and passionate narratives about her real-life characters. As The Washington Post Book World has said, her snapshot-vivid, pitch-perfect proseis fast becoming one of our national treasures. A tour de force of history, emotion, and masterful storytelling, here is the ultimate tale for anyone who loves great dogs or great journalism.
